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巴西Katukina-Noke Koi族人透過薩滿祭儀學習從事文化復振的觀察
An Observation about the “Cultural Renascence” of Katukina-Noke Koi People in Brazil through the Revitalization of the Shamanism
Bomfim,Virgilio
民族有限、薩滿公司:原住民聲音知識及其商品化,以及本體論同步的概念
Ethnicity Inc., Shamanism Ltd.: Indigenous Sound Knowledge, its commodification, and the concept of ontological synchronicity
Brabec de Mori
我在家輕輕為您唱:從「地磨兒青年移動學校」看三地村當代音樂的實踐與應用
I Gently Sing for You at Home: The Practice and Application of Contemporary Music
in Timur Village from the “Youth In Timur”
陳琦婷 CHEN,Chi-Ting
音樂保存與採譜:臺灣無形文化資產下的泰雅口簧琴音樂保護
Music Preservation and Transcription: Safeguarding Atayal Jew’s Harp Music in the Intangible Cultural Heritage System of Taiwan
陳美蓁 Mei-Chen Chen
鶴舞之謎-卡爾梅克傳統中的Togruna bii
Crane dance mystery: Togruna bii in Kalmyktradition
Dorjieva, Ghilyana
達悟族音樂在世代傳承中的問題
The Problem of Intergenerational Music Transmission among the Tao
Funk, Leberecht
Marae基礎建檔和Waiata保存
WHAKAMANU AND WHANGANUI KAIPONU
Marae-based Archiving and Waiata preservation
Meri Haami
舞蹈作為實驗性實踐-豐年祭歌舞以及阿美族當代藝術
DANCE AS EXPERIMENTAL PRACTICE: MALIKODA AND PANGCAH CONTEMPORARY ART
Hatfield, D.J
有關祭典的原真性及其環境變遷──探討臺灣阿美族人當代表演的文化經驗
On Ritual Authenticity and its Environmental Shift: Negotiating cultural experiences with modernized performances by Amis people in Taiwan
李宜澤 Lee, Yi-Tze
在營地中跳舞-Adjumani難民營的丁卡族難民運用丁卡族傳統舞蹈在異地建構原鄉
Dancing In the Camp: Use of Dinka traditional dance in construction of Here and There
among the Dinka refugees in Adjumani refugee camp
Mark Lenini Parselelo
沒有人是局外人——初探巴奈・庫穗(Panai Kusui)的音樂
與臺灣原住民族土地運動之關係
“Nobody is an outsider” – Exploring the indigenous land rights Ontology in Taiwan through the Observation on Panai Kusui’s Activist Protest and her Music Creation
林恆安 Heng-An Lin
表演理論與應用的對話與詮釋
Dialogue and Interpretation of Theory and Application in Performance
明立國 Li-Kuo Ming
馬克·卡薩爾(Sj’air Perang Mengkasar)之軍事音樂的記述
Depictions of Military Music in the Sj’air Perang Mengkasar
Anthea Skinner
中越跨境“彝”人銅鼓世界中的“樂路”體系研究
Research on the Universe View in the Bronze Drum Music of the Luoluo People
of Chinese Yi Nationality
蘇毅苗 Yimiao Su
向前一步,向後一步?臺灣矮靈祭期間賽夏族與漢族的混合
1 step forward, 1 step back? Saisiyat and Han commingling during the Pashtaai ritual in Taiwan
Mark van Tongeren
探討臺灣原住民歌曲虛詞用法之謬誤詮釋
A Study on the Misinterpretation of “Non-lexical Syllables” [NLS] in Taiwanese Aboriginal Music
王威農 Wei-Nung Wang,
論爭並收回維吾爾音樂中的本土性
Contesting and Reclaiming Indigeneity in Uyghur Music
Chuen-Fung Wong
原住民音樂的復興:貴州西北教會社群中苗族青年的音樂轉變
Revitalization of Indigenous Music: Shifting Music by the Miao Youths in the Church Community
of Northwest Guizhou
Shujin Zhang
窩瓦河的迴響:俄羅斯卡爾梅克人的「歌唱」與「回憶」
Echoes from the Volga River: "Singing" and "Memory" of the Kalmyks in Russia
Zhang Ying
古老的祭歌與當代音樂的交匯,以顏名秀的兩首《祭歌:母親 父親》編曲為例
The intersection of ancient sacrifice songs and contemporary music: Ming-hsiu Yen’s two arrangements of Ciina Cuuma
劉馬利Mali Liu