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巴西Katukina-Noke Koi族人透過薩滿祭儀學習從事文化復振的觀察

An Observation about the “Cultural Renascence” of Katukina-Noke Koi People in Brazil through the Revitalization of the Shamanism

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Bomfim,Virgilio

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民族有限、薩滿公司:原住民聲音知識及其商品化,以及本體論同步的概念

Ethnicity Inc., Shamanism Ltd.: Indigenous Sound Knowledge, its commodification, and the concept of ontological synchronicity

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Brabec de Mori

我在家輕輕為您唱:從「地磨兒青年移動學校」看三地村當代音樂的實踐與應用

I Gently Sing for You at Home: The Practice and Application of Contemporary Music

in Timur Village from the “Youth In Timur”

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陳琦婷 CHEN,Chi-Ting

音樂保存與採譜:臺灣無形文化資產下的泰雅口簧琴音樂保護

Music Preservation and Transcription: Safeguarding Atayal Jew’s Harp Music in the Intangible Cultural Heritage System of Taiwan

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陳美蓁 Mei-Chen Chen

鶴舞之謎-卡爾梅克傳統中的Togruna bii

Crane dance mystery: Togruna bii in Kalmyktradition 

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Dorjieva, Ghilyana

達悟族音樂在世代傳承中的問題

The Problem of Intergenerational Music Transmission among the Tao

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Funk, Leberecht

Marae基礎建檔和Waiata保存

WHAKAMANU AND WHANGANUI KAIPONU

Marae-based Archiving and Waiata preservation

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Meri Haami

舞蹈作為實驗性實踐-豐年祭歌舞以及阿美族當代藝術

DANCE AS EXPERIMENTAL PRACTICE: MALIKODA AND PANGCAH CONTEMPORARY ART

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Hatfield, D.J

有關祭典的原真性及其環境變遷──探討臺灣阿美族人當代表演的文化經驗

On Ritual Authenticity and its Environmental Shift: Negotiating cultural experiences with modernized performances by Amis people in Taiwan

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李宜澤 Lee, Yi-Tze

在營地中跳舞-Adjumani難民營的丁卡族難民運用丁卡族傳統舞蹈在異地建構原鄉

Dancing In the Camp: Use of Dinka traditional dance in construction of Here and There

among the Dinka refugees in Adjumani refugee camp

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Mark Lenini Parselelo

沒有人是局外人——初探巴奈・庫穗(Panai Kusui)的音樂

與臺灣原住民族土地運動之關係

“Nobody is an outsider” – Exploring the indigenous land rights Ontology in Taiwan through the Observation on Panai Kusui’s Activist Protest and her Music Creation

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林恆安  Heng-An Lin

表演理論與應用的對話與詮釋

Dialogue and Interpretation of Theory and Application in Performance

 

明立國 Li-Kuo Ming

馬克·卡薩爾(Sj’air Perang Mengkasar)之軍事音樂的記述

Depictions of Military Music in the Sj’air Perang Mengkasar

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Anthea Skinner

中越跨境“彝”人銅鼓世界中的“樂路”體系研究

Research on the Universe View in the Bronze Drum Music of the Luoluo People

of Chinese Yi Nationality

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蘇毅苗 Yimiao Su

向前一步,向後一步?臺灣矮靈祭期間賽夏族與漢族的混合

1 step forward, 1 step back? Saisiyat and Han commingling during the Pashtaai ritual in Taiwan

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Mark van Tongeren

探討臺灣原住民歌曲虛詞用法之謬誤詮釋

A Study on the Misinterpretation of “Non-lexical Syllables” [NLS] in Taiwanese Aboriginal Music

 

王威農 Wei-Nung Wang,

論爭並收回維吾爾音樂中的本土性

Contesting and Reclaiming Indigeneity in Uyghur Music

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Chuen-Fung Wong

原住民音樂的復興:貴州西北教會社群中苗族青年的音樂轉變

Revitalization of Indigenous Music: Shifting Music by the Miao Youths in the Church Community 

of Northwest Guizhou

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Shujin Zhang

窩瓦河的迴響:俄羅斯卡爾梅克人的「歌唱」與「回憶」

Echoes from the Volga River: "Singing" and "Memory" of the Kalmyks in Russia

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Zhang Ying

古老的祭歌與當代音樂的交匯,以顏名秀的兩首《祭歌:母親 父親》編曲為例

The intersection of ancient sacrifice songs and contemporary music: Ming-hsiu Yen’s two arrangements of Ciina Cuuma

 

劉馬利Mali Liu

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